The CLA-3A combines solid-state circuitry’s fast attack with the gentle release of optical-based compression. A favorite on guitar, bass, and drums, the CLA-3A models the tight, punchy compression effect that played an important role in high-end studios of the 1970s.
Without the coloration of tubes, and only a slight hint of harmonic distortion, the CLA-3A handles high-level transients and pushes out punch—especially with midrange instruments.