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Focusrite Red 8Line Focusrite

$ 750,00

SKU: mode_6899840975009 Category: Interfaces Tags: Focusrite, Interface, New Gear, Thunderbolt Audio Interfaces

Description
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58-In, 64-Out Thunderbolt™ 3 Audio Interface With Two Red Evolution Mic Pres, Analogue Line-Level, DigiLink, Dante®, ADAT & S/PDIF Connectivity

Red 8Line is a 58-input, 64-output, Thunderbolt™ 3 audio interface that features two Red Evolution mic pres, independent L/R monitor outs, eight balanced line inputs and outputs on DB25 connectors; 32 channels of Dante® I/O; 16-channel ADAT input and output (at 48kHz), and stereo S/PDIF input and output. As with other Red interfaces, it has professional-grade 24-bit/192kHz A-D and D-A conversion for no-compromise recording and audio playback. With 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted), the converters have been expertly selected and calibrated by Focusrite to provide the best balance of sound quality, dynamic range and conversion latency.

The Focusrite Red range is the best choice for professionals who work in Pro Tools™ | HD and other DAWs — on both Mac and PC. With both mini-DigiLink and Thunderbolt 3 connections, it’s possible to instantly switch between Pro Tools and other DAW applications without the need to reconfigure your audio settings. Simply change the host mode either in RedNet Control software, or using the Red 8Line front panel, to change DAWs in seconds. This ability to quickly switch between production environments means you’ll never lose that moment of inspiration, or leave your clients waiting.

Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite’s session-proven, ultra-low-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it’s also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units and Thunderbolt hubs.

On-board Dante connectivity enables Red 8Line to communicate with industry-standard Audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha and DiGiCo. Red 8Line has built-in monitor control for mono, stereo and multi-channel monitoring environments up to 7.1.2. Compatibility with the new Focusrite RedNet R1 desktop remote controller allows even greater flexibility, and customised presets for immersive monitoring environments including Dolby Atmos®.

High-performance 24-bit/192kHz A-D and D-A conversion with 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted)

Seamless multi-platform workflow enables switching between different DAWs in seconds, using the front panel or control software

Two Red Evolution remote-controllable mic preamps provide up to 63dB of ultra- clean gain, with phantom power, high-pass filter, phase reverse and Air mode

Latest implementation of Thunderbolt 3 ultra-low-latency drivers for Mac and PC provide the flexibility to use DAW plug-ins in real-time

Dual Thunderbolt ports as standard enable daisy-chaining of devices such as plug-in accelerators, hard drives and external 4K displays

Twin mini-DigiLink ports provide connectivity directly to Pro Tools | HD cards, with no need for device expansion

Dual Dante ports enable connection to the industry standard Audio-over-IP protocol, for easy expansion and interoperability with other digital devices

Monitor control supports mono, stereo and multi- channel monitoring environments up to 10 channels, including 7.1.2

Extensive analogue I/O provided by eight line inputs and outputs on DB25; independent L/R monitor outputs; independent Red Evolution mic preamps, plus two stereo headphones outputs

Three LCDs provide highly accurate level metering for any input or output block, as well as for main monitor and headphone outputs

RedNet Control allows quick setup of complex monitoring and routing configurations, and control of the preamps remotely

High-fidelity dual headphone outputs are powerful enough to deliver loud audio on high-impedance headphones

Dual front-panel instrument connections ensure immediate access to instrument inputs, even when racked

New Windows 10 Thunderbolt drivers make Red 8Line compatible with PC-based audio systems

Focusrite software bundle includes the Brainworx bx_console Focusrite SC channel strip from the original Focusrite Studio Console, plus Red 2 and Red 3 EQ and Compression plug-ins, which accurately reproduce the sonic qualities of the original Red hardware. Focusrite Plug-in Collective membership provides access to frequent free downloads from the most innovative music software brands

SPECIFICATIONS

SIMULTANEOUS INPUTS & OUTPUTS

Channel Count

Up to 58 x 64

SYSTEM REQUIREMENTS

Computer

Apple Mac with at least one Thunderbolt 3 port (or Thunderbolt 1 / 2 port and Apple Thunderbolt 3 adapter) running supported OS. Windows 10 system with at least one Thunderbolt 3 port (Thunderbolt 1 / 2 Windows systems are not supported)

Other

Internet connection for downloading and installing software and driver

MICROPHONE INPUTS

Note

All measurements taken at maximum gain unless otherwise stated, Rs = 150?

Gain Range

0-8dB to 63dB in 1dB steps

Type

Electronically Balanced, Zin = 6.2k?

Frequency Response

20Hz – 35kHz ±0.2dB, min gain

THD+N

-101dB (0.0009%) @ -1dBFS (@ 11dB Gain)

EIN

Less than -129dBu ‘A’-Weighted (typical)

Signal-To-Noise Ratio

119dB ‘A’-Weighted (typical), min gain

Common-Mode Rejection Ratio

50/60Hz CMRR: -90dB

Phantom Power

+48V, independently switchable per channel

HPF

High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel

Air Mode

2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2k?

Max. Input Level

Greater than 19dBu, min gain

LINE INPUTS 1-8

0 DBFS Reference Level

+18 or +24dBu (switchable)

Type

Electronically Balanced, Zin = 20k?

Frequency Response

20Hz – 35kHz ±0.2dB

THD+N

-102dB (0.0008%) @ -1dBFS

Signal-To-Noise Ratio

119dB ‘A’-Weighted (typical)

Common-Mode Rejection Ratio

50/60Hz CMRR: -70dB

Note

All measurements taken at 24dBu, Rs = 600?

INSTRUMENT INPUTS

Note

All measurements taken at maximum gain unless otherwise stated, Rs = 600?

Gain Range

0-8dB to 63dB in 1dB steps

Type

Zin = 2.3M?

Max. Input Level

Greater than +15dBu, min gain

Frequency Response

20Hz – 35kHz ±0.2dB, min gain

THD+N

-100dB (0.001%) @ -1dBFS (@ 11dB Gain)

Signal-To-Noise Ratio

117dB ‘A’-Weighted (typical), min gain

HPF

-3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel

Air Mode

2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)

LINE OUTPUTS 1-8

0 DBFS Reference Levels

+18 or +24dBu (switchable)

Frequency Response

20Hz – 35kHz ±0.2dB

THD+N

Less than -104dB (0.0006%) unweighted, 20Hz – 20kHz; -1dBFS input

Dynamic Range

121dB ‘A’-weighted (typical), 20Hz – 20kHz

Output Impedance

Nominal output impedance = 136? balanced (68? each phase)

Note

All measurements taken at maximum output level, Rs = 100k?

MONITOR OUTPUTS

Note

All measurements taken at maximum output level, Rs = 100k?

0 DBFS Reference Levels

+18dBu

Frequency Response

20Hz – 35kHz ±0.2dB

THD+N

-80dB (0.01%) unweighted, 20Hz – 20kHz; -1dBFS input

Dynamic Range

120dB (A-Weighted)

Output Impedance

Nominal output impedance = 136? balanced (68? each phase)

Channel Count

2 Out

Monitor Outputs

2 x 1/4″ TRS jack

HEADPHONE OUTPUTS

Note

All measurements taken at maximum output level, Rs = 600?

0 DBFS Reference Levels

+16dBm ± 0.5dB

Frequency Response

20Hz – 20kHz ±0.2dB

THD+N

Less than -75dB (0.018%) unweighted, 20Hz – 20kHz

Dynamic Range

114dB ‘A’-weighted (typical), 20Hz – 20kHz

Output Impedance

10?

Headphone Impedance

32? – 600?

Channel Count

2 Stereo Channels Out

Headphone Outputs

2 x 1/4″ TRS stereo jack

MICROPHONE CROSSTALK

Mic Input To Input

Less than -80dB; 20Hz – 20kHz (driven channel at -20dBFS)

Mic Input To Output

Less than -130dB; 20Hz – 20kHz (driven channel at -20dBFS)

Output To Mic Input

Less than -165dB; 20Hz – 20kHz (driven channel at -20dBFS)

LINE CROSSTALK

Line Input To Line Input

Less than -100dB; 20Hz – 20kHz (driven channel at -20dBFS)

Line Input To Output

Less than -150dB; 20Hz – 20kHz (driven channel at -20dBFS)

Output To Line Input

Less than -150dB; 20Hz – 20kHz (driven channel at -20dBFS)

OUTPUT CROSSTALK

Output To Output

Less than -95dB; 20Hz – 20kHz (driven channel at -20dBFS)

HEADPHONE CROSSTALK

Headphone To Headphone

Less than -95dB; 20Hz – 20kHz (driven channel at -20dBFS)

DIGITAL PERFORMANCE

Supported Sample Rates

44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit

Clock Sources

Internal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master

FRONT PANEL CONNECTIVITY

Instrument Inputs

2 x 1/4″ TS jack

Channel Count

2 Channels In

REAR PANEL CONNECTIVITY

Channel Count

Up to 58 In and 64 Out

Prompt Delivery and Professional Packaging

Our long-standing partnership with UPS FedEx DHL and other global carriers lets us offer a range of shipping services. Our warehouse staff is extremely skilled and will package your items according to our precise and exact specifications. Your goods will undergo an extensive inspection and be safely packaged prior to being sent out. Each day, we ship to thousands of customers in many countries. The fact that we are committed to becoming the biggest online retailer in the World is clear. These warehouses are in Europe in the same way as they are in USA.

Note: Orders that include more than one item are assigned a processing period depending on the item.

Before shipping, we will inspect thoroughly the items you have ordered. Most orders are shipped within 48 hours. Expected delivery time is between 3-7 days.

Returns

Stock is dynamic. It's not entirely managed by us since we are involved with multiple entities, including the factory and the storage. The actual stock can change at any moment. It is possible that your order may be out of stock once the order has been placed.

Our policy lasts for 30 days. We cannot exchange or refund your order if it has been 30 days from the date of purchase.

For your item to be returned it must be in its original packaging, unopened and in the condition you received it. The item must be in its original packaging.

Focusrite Red 8Line Focusrite

SPECIFICATIONS

SIMULTANEOUS INPUTS & OUTPUTS

SYSTEM REQUIREMENTS

MICROPHONE INPUTS

LINE INPUTS 1-8

INSTRUMENT INPUTS

LINE OUTPUTS 1-8

MONITOR OUTPUTS

HEADPHONE OUTPUTS

MICROPHONE CROSSTALK

LINE CROSSTALK

OUTPUT CROSSTALK

HEADPHONE CROSSTALK

DIGITAL PERFORMANCE

FRONT PANEL CONNECTIVITY

REAR PANEL CONNECTIVITY

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