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Focusrite Red 16Line Focusrite

$ 1.000,00

SKU: mode_6899847102625 Category: Interfaces Tags: Focusrite, Interface, New Gear, Thunderbolt Audio Interfaces

Description
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64X64 ALL-IN-ONE INTERFACE, 32X32 DANTE I/O

Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt connections, it’s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the RedNet Control software, or on the device front panel and change DAWs in seconds.

The Easiest Way To Work In Pro Tools | HD™ And A Second DAW

Since Red 16Line provides both DigiLink™ connectors and Thunderbolt™ connections, it’s now easier than ever to switch from Pro Tools | HD™ to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the RedNet Control software, or on the device front panel and change DAWs in seconds.

Our Best Conversion

High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface.

Revolutionise Your Workflow

Red’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the RedNet Control software mixer) or playing back, with all your plug-ins in place, all the time.

Extensive Analogue I/O

Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs.

Two Of Our Best Preamps

The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.

Networked Audio-Enabled Out Of The Box

With dual-port Dante™ connectivity, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.

Software Mixer With Hardware-Focused Workflow

RedNet Control is our software mixer designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations, together with the ability to control your preamps remotely.

The Sound Of Red Across Your Mix

Every Red interface comes with our Red 2 and Red 3 EQ and compression plug-ins. AAX/AU/VST-compatible, these plug-ins faithfully reproduce the sonic qualities of the original hardware, allowing you to take advantage of the classic Red sound – the sound of professional recording studios all over the world – across your entire mix.

The Focusrite Studio Console Reborn In Your DAW

The Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx’s bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made.

Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards

High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)

Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time

16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs

Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse

Air mode on the preamps, giving recordings the clarity of a transformer-based ISA

Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products

Dual-port Dante card for more channels at higher sample rates

Three LCD displays for highly accurate level metering

RedNet Control software mixer for setting up monitoring and routing configurations, with remote control of preamps

Two discrete high-fidelity headphone outputs

Connect multiple digital sources using word clock I/O and loop-sync I/O

Two instrument inputs on the front panel

AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins

SPECIFICATIONS

SYSTEM REQUIREMENTS

Other

Internet connection for downloading and installing software and driver

SIMULTANEOUS INPUTS & OUTPUTS

Channel Count

Up to 64 x 64

MICROPHONE INPUTS

Gain Range

0-8dB to 63dB in 1dB steps

Type

Electronically Balanced, Zin = 20k?

Max. Input Level

>+19dBu, min gain

Frequency Response

20Hz – 35kHz ±0.2dB

THD + N

-102dB (0.0008%) @ -1dBFS

EIN

<-129dBu ‘A’-Weighted (typical)

Signal-To-Noise Ratio

119dB ‘A’-Weighted (typical)

Common-Mode Rejection Ratio

50/60Hz CMRR: -70dB

Phantom Power

+48V, independently switchable per channel.

HPF

High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel

Air Mode

2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO

LINE INPUTS 1-16

0 DBFS Reference Level

+18 or +24dBu (switchable)

Line Inputs 1-16 0 DBFS Reference Leve

+18 or +24dBu (switchable)

Line Inputs 1-16 Type

Electronically Balanced, Zin = 20kO

Line Inputs 1-16 Frequency Response

20Hz – 35kHz ±0.2dB

Line Inputs 1-16 THD + N

-102dB (0.0008%) @ -1dBFS

Line Inputs Signal-To-Noise Ratio

119dB ‘A’-Weighted (typical)

Line Inputs 1-16 Common-Mode Rejection Ratio

50/60Hz CMRR: -70dB

INSTRUMENT INPUTS

Instrument Inputs Gain Range

0-8dB to 63dB in 1dB steps

Instrument Inputs Type

Zin = 2.3MO

Instrument Inputs Max. Input Level

>+15dBu, min gain

Instrument Inputs Frequency Response

20Hz – 35kHz ±0.2dB, min gain

Instrument Inputs THD + N

-100dB (0.001%) @ -1dBFS (@ 11dB Gain)

Instrument Inputs Signal-To-Noise Ratio

117dB ‘A’-Weighted (typical), min gain

Instrument Inputs HPF

-3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel

Instrument Inputs Air Mode

2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)

LINE OUTPUTS 1-16

Line Outputs 1-16 0 DBFS Reference Levels

+18 or +24dBu (switchable)

Line Outputs 1-16 Frequency Response

20Hz – 35kHz ±0.2dB

Line Outputs 1-16 THD + N

<-104dB (0.0006%) unweighted, 20Hz – 20kHz; -1dBFS input

Line Outputs 1-16 Dynamic Range

121dB ‘A’-weighted (typical), 20Hz – 20kHz

Line Outputs 1-16 Output Impedance

Nominal output impedance = 136O balanced (68O each phase)

MONITOR OUTPUTS

Monitor Outputs 0 DBFS Reference Levels

+18dBu

Monitor Outputs Frequency Response

20Hz – 35kHz ±0.2dB

Monitor Outputs THD+N

-80dB (0.01%) unweighted, 20Hz – 20kHz; -1dBFS input

Monitor Outputs Dynamic Range

120dB (A-Weighted)

Monitor Outputs Output Impedance

Nominal output impedance = 136O balanced (68O each phase)

HEADPHONE OUTPUTS

Headphone Outputs 0 DBFS Reference Levels

+16dBm ± 0.5dB

Headphone Outputs Frequency Response

20Hz – 20kHz ±0.2dB

Headphone Outputs THD + N

<-75dB (0.018%) unweighted, 20Hz – 20kHz

Headphone Outputs Dynamic Range

114dB ‘A’-weighted (typical), 20Hz – 20kHz

Headphone Outputs Output Impedance

10O

Headphone Outputs Headphone Impedance

32O – 600O

MICROPHONE CROSSTALK

Mic Input To Input

< -80dB; 20Hz – 20kHz (driven channel at -20dBFS)

Mic Input To Output

< -130dB; 20Hz – 20kHz (driven channel at -20dBFS)

Output To Mic Input

< -165dB; 20Hz – 20kHz (driven channel at -20dBFS)

LINE CROSSTALK

Line Input To Line Input

< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)

Line Input To Output

< -150dB; 20Hz – 20kHz (driven channel at -20dBFS)

Output To Line Input

< -150dB; 20Hz – 20kHz (driven channel at -20dBFS)

OUTPUT CROSSTALK

Output To Output

< -95dB; 20Hz – 20kHz (driven channel at -20dBFS)

HEADPHONE CROSSTALK

Headphone To Headphone

< -95dB; 20Hz – 20kHz (driven channel at -20dBFS)

DIGITAL PERFORMANCE

Supported Sample Rates

44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit

Clock Sources

Internal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master

FRONT PANEL CONNECTIVITY INSTRUMENT INPUTS

Instrument Inputs Channel Count

2 Channels In

Instrument Inputs Instrument Inputs

2 x 1/4″ TS stereo jack

FRONT PANEL CONNECTIVITY HEADPHONE OUTPUTS

Headphone Outputs Channel Count

2 Stereo Channels Out

Headphone Outputs Headphone Outputs

2 x 1/4″ TRS stereo jack

REAR PANEL CONNECTIVITY THUNDERBOLT

Thunderbolt Channel Count

Up to 64 In and 64 Out

Thunderbolt Ports

2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)

REAR PANEL CONNECTIVITY PRO TOOLS

Pro Tools Channel Count

Up to 64 In and 64 Out (32 In and 32 Out per connection)

Primary Port

2 x Mini DigiLink

REAR PANEL CONNECTIVITY DANTE

Dante Channel Count

Up to 32 In and 32 Out

Dante Input And Output

2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).

REAR PANEL CONNECTIVITY MIC INPUTS

Mic Inputs Channel Count

2 In

Prompt Delivery and Professional Packaging

Our long-standing partnership with UPS FedEx DHL and other global carriers lets us offer a range of shipping services. Our warehouse staff is extremely skilled and will package your items according to our precise and exact specifications. Your goods will undergo an extensive inspection and be safely packaged prior to being sent out. Each day, we ship to thousands of customers in many countries. The fact that we are committed to becoming the biggest online retailer in the World is clear. These warehouses are in Europe in the same way as they are in USA.

Note: Orders that include more than one item are assigned a processing period depending on the item.

Before shipping, we will inspect thoroughly the items you have ordered. Most orders are shipped within 48 hours. Expected delivery time is between 3-7 days.

Returns

Stock is dynamic. It's not entirely managed by us since we are involved with multiple entities, including the factory and the storage. The actual stock can change at any moment. It is possible that your order may be out of stock once the order has been placed.

Our policy lasts for 30 days. We cannot exchange or refund your order if it has been 30 days from the date of purchase.

For your item to be returned it must be in its original packaging, unopened and in the condition you received it. The item must be in its original packaging.

Focusrite Red 16Line Focusrite

64X64 ALL-IN-ONE INTERFACE, 32X32 DANTE I/O

The Easiest Way To Work In Pro Tools | HD™ And A Second DAW

Our Best Conversion

Revolutionise Your Workflow

Extensive Analogue I/O

Two Of Our Best Preamps

Networked Audio-Enabled Out Of The Box

Software Mixer With Hardware-Focused Workflow

The Sound Of Red Across Your Mix

The Focusrite Studio Console Reborn In Your DAW

SPECIFICATIONS

SYSTEM REQUIREMENTS

SIMULTANEOUS INPUTS & OUTPUTS

MICROPHONE INPUTS

LINE INPUTS 1-16

INSTRUMENT INPUTS

LINE OUTPUTS 1-16

MONITOR OUTPUTS

HEADPHONE OUTPUTS

MICROPHONE CROSSTALK

LINE CROSSTALK

OUTPUT CROSSTALK

HEADPHONE CROSSTALK

DIGITAL PERFORMANCE

FRONT PANEL CONNECTIVITY INSTRUMENT INPUTS

FRONT PANEL CONNECTIVITY HEADPHONE OUTPUTS

REAR PANEL CONNECTIVITY THUNDERBOLT

REAR PANEL CONNECTIVITY PRO TOOLS

REAR PANEL CONNECTIVITY DANTE

REAR PANEL CONNECTIVITY MIC INPUTS

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