RME HDSPe MADI FX RME

3 x MADI I/O

The MADI FX provides two optical and one coaxial MADI I/O*. Thus a total of 192 inputs and 192 outputs are simultaneously available in MADI format (at 44.1 and 48 kHz). At 96 kHz there are 96/96, and at 192 kHz an impressive number of 48/48 inputs and outputs can be used.

The HDSP MADI FX provides a sufficient amount of audio channels for every conceivable project, and enough reserve to grow with future needs. In general, two optical MADI-I/Os are adequate to implement a major studio or live setup with long cable lengths. The additional coaxial MADI I/O provides maximum flexibility and provides in-the-box conversion between both formats.

* The optical connectors are SC industry standard, in multi-mode technology. The coaxial MADI I/O is configured as 75 ohm BNC.

Analog Monitoring Output

The HDSPe MADI FX provides an analog stereo output in reference quality with RME’s proven low-latency converter technology. The output is ideally suited for high- and low-impedance headphones.

Thanks to the powerful monitoring features of TotalMix, any input channel, recorded tracks, or complex sub-mixes can be selected for listening. An advanced Cue function allows each of the 98 possible stereo sub-mixes to be monitored with just a single mouse click.

AES/EBU I/O

An audio interface which is limited to MADI I/Os needs expensive multichannel converters to perform a conversion to other digital formats or even a simple sync connection. Those who work with MADI usually have also AES/EBU devices in use and would like to connect them easily to their DAW.

Therefore the HDSPe MADI FX provides a digital I/O in the professional AES/EBU format. This allows the connection of a simple AD/DA converter (e. g. RME’s ADI-2 for example) to get a 2nd monitoring output, or to create a talkback setup. Even the connection of an external digital effects unit without a costly external MADI to AES/EBU interface can be realized easily.

The AES/EBU I/O can also be used for synchronization, e. g. with Steinberg’s synchronizer and clock device, the Nuendo Sync Station.

MIDI integration and remote control

The HDSPe MADI provides four MIDI I/Os:
– 1 x external via breakout cable
– 3 x internal as virtual MIDI ports – one for each MADI I/O

RME MADI devices will not only transmit 64 audio channels with a single connection, but also regular MIDI signals. The HDSPe MADI FX is no exception: each MADI I/O owns a virtual MIDI I/O in the operating system that can be addressed by any MIDI program.

MIDI signals will be transmitted invisibly through the same lines and distances as the MADI data. At the other end of the MADI cable, the MIDI signals can be played back from RME MADI devices via a standard MIDI DIN port.

MIDI over MADI also allows remote control of all RME MADI devices, including monitoring and configuring a device’s complete status. This outstanding feature makes MADI transmission across large distances practically usable, with host computers and devices far from each other – for example, FOH and stage.

All units can be programmed with their own ID, allowing independent remote control of multiple devices via a single MIDI channel.

RME provides a free Windows and Mac software to control all RME MADI devices. This “MIDI Remote” can use any existing MIDI port within the system to remotely control and monitor all connected devices. The software provides both a front-panel like operation and an extended Matrix display.

Wordclock I/O

A word clock I/O with switchable termination completes the connectivity of the MADI FX card. While most MADI-based devices require an additional word clock or AES/EBU line, the MADI FX card uses SteadyClock to extract the reference clock directly from the MADI signal, while reducing possible jitter to a minimum, making long-distance connections even more convenient. The word clock input processes signals automatically in single, double or quad speed.